Elon Musk Calls for Abolishing Intellectual Property Rights, Artists Erupt in Outrage: “This Madman Should Be Banished to Mars”

In a single, chilling sentence, Elon Musk ignited a firestorm that now threatens to engulf the very fabric of the creative world: “I agree.” It was a reply—blunt, defiant, and wildly consequential—to Jack Dorsey’s now-infamous call to “delete all IP law.” But it wasn’t just a moment of late-night posting.

Elon Musk, already no stranger to controversy, has now entered the most treacherous terrain yet—picking a fight with the very soul of human culture. Intellectual Property laws, the bedrock of creative ownership and economic fairness, are not just legalities.

They are lifelines for millions who build their lives and identities around original work. And Musk, alongside tech elite ally Jack Dorsey, has declared those lifelines obsolete.Có thể là hình ảnh về 2 người và văn bản cho biết 'INTELLFLIU INTELLFOIUALIROPERT TUAL ROPERTY LAW'

The timing could not be more volatile. The AI revolution is accelerating, and behind its glossy promise lies a grim battlefield: the creative world is being plundered by machines, and now its guardians are being told their rights should vanish altogether.

On the very same day Musk backed Dorsey’s annihilation of IP law, TED’s Chris Anderson confronted OpenAI CEO Sam Altman with a stinging visual: an AI-generated Charlie Brown strip that bore unmistakable signs of IP theft. Altman’s response? A vague musing about the need for a “new model” of creative economics.

But for the artists who pour their lives into their work, these tech industry overtures sound less like progress and more like piracy.

The outrage was instantaneous—and massive. Over 50,000 artists, among them global icons like Thom Yorke, James Patterson, and Julianne Moore, signed an open letter condemning the unlicensed use of their creations to train generative AI. “It’s a major, unjust threat to the livelihoods of the people behind those works,” the letter reads.

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The stakes were further raised when legendary figures such as Ron Howard, Paul McCartney, and Cynthia Erivo delivered their fury directly to the White House. Their collective message was clear: this is not innovation—it’s theft.

Yet Musk, with typical bravado, doubled down. To him, rules are suggestions, borders are challenges, and criticism is simply noise. Now, having lost favor with governments, unions, and the scientific community over Neuralink and SpaceX’s Mars ambitions, he’s managed to alienate a sector he once claimed to support—artists.

From Los Angeles to Berlin, from Seoul to Buenos Aires, creatives have flooded the internet with their fury. Painters posted digital artworks of Musk with a censor bar over his mouth. Musicians released parody tracks with lyrics targeting AI exploitation.

Dancers choreographed routines symbolizing their erasure by algorithm. Even fashion designers joined the protest, sending down runways AI-themed collections emblazoned with slogans like “Musk Stole My Soul” and “Copyright is Not Dead.”

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But it didn’t stop at cultural expression. The protest turned into a movement. What began as trending hashtags quickly morphed into organized demonstrations outside Tesla showrooms, Neuralink labs, and the headquarters of X.

Crowds carried signs reading “Art Is Human,” “My Voice Is Not Your Dataset,” and most powerfully, “Musk Belongs on Mars.”

Satirical posters advertising one-way tickets for Musk to the red planet plastered city walls. Online, a digital petition titled “SEND MUSK TO MARS – FOR GOOD” reached over 3 million signatures in under 48 hours. Some protestors even launched a mock NFT project titled “IP Theft Club,” where AI-generated portraits of Musk are sold with satirical copyrights claimed by “the people.”

Meanwhile, voices within the legal and ethical community have sounded alarms even louder. Atreya Mathur of the Center for Art Law warned that the removal of IP protections would be a betrayal of the U.S.

Constitution’s intent: to promote creativity through protection, not erase it. “Elimination of such laws would ignore that very purpose and devalue the labor and rights of creators,” she stated.

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Equally damning were the words of Ed Newton-Rex, CEO of Fairly Trained, who accused tech executives of waging “all-out war on creators.” The subtext: These tech giants are not merely indifferent to creators—they are actively exploiting them under the guise of “advancement.”

The hypocrisy did not go unnoticed. Social media erupted with reminders that figures like Dorsey and Musk became billionaires thanks to IP protections.

“Everybody becomes a free-market libertarian once they make their bag,” one viral post remarked. In other words, these tech titans used the system to get rich, only to burn the ladder behind them once their bank accounts were secured.

What makes Musk’s endorsement of IP erasure even more outrageous is the context of the ongoing AI copyright battles. Companies like OpenAI and Google are currently lobbying the U.S. government for broad exceptions that would allow AI systems to train on movies, books, and music without permission or payment.

They argue that this is not only fair use—but a matter of national security.

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To creators, this argument is laughable, if not insulting. National security? Against whom? Artists? Filmmakers? Songwriters? The very individuals whose imaginations inspire innovation?

It’s a dystopian inversion of reality—where the thief calls the robbed “unpatriotic” for locking their doors.

In this war, Musk has firmly placed himself in the camp of the looters. With his words, he’s thrown gasoline onto the already burning bridge between Silicon Valley and the entertainment world.

While Hollywood strikes and legal cases unfold, Musk’s stance has all but guaranteed further alienation—and possibly retaliation.

Cultural historians may one day look back on this moment as a tipping point. When the richest man in the world tried to erase the rights of creators with a single sentence—and the world pushed back.

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The movement isn’t just about art anymore. It’s about power, ownership, and whether technology will be used to uplift or erase humanity.

And as the protest chants grow louder—SEND MUSK TO MARS!—one thing is clear: Elon Musk may have envisioned himself as a pioneer of the future, but to the artists he just betrayed, he has become a symbol of its theft.

In the eyes of millions, the message is not just metaphorical. It is literal, impassioned, and charged with urgency:

Elon Musk, you want a new world? You believe Earth is outdated?

Fine. Pack your rockets. You’re not welcome here anymore.

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